Integrated amplifier - Aavik I-180 Review
The I-180 is a one-man show, designed solely for the playback of analog high-level sources, and only via RCA. On the one hand, the price is decreased because you are just paying for what you want — in this case, a well-designed, cutting-edge integrated amplifier.
It, on the other hand, ensures that the unique requirements posed by an integrated DAC or phono section can be overlooked for the time being. The disadvantage of this notion is that it requires more space if you wish to include, say, a D/A converter into your arrangement.
If such a system is on your wish list, inquire about the Danish "U" series, which incorporates a DAC into otherwise identical amplifier technology.
The developers around Michael Borresen have created this series in a very creative manner, not just selecting what they believe to be the greatest Class D module from Pascal – but also placing an unusually high emphasis on the mechanical side. This is reflected in the device's shape as well as the materials used.
The Class D module easily generates roughly 300 watts per channel and is exceptionally broadband for a Class D amp. It is also quite immune to speaker impedance changes, thanks to a sophisticated negative feedback circuit that is only employed in the first stage of amplification.
Another circuit design trick assures that the amplifier can draw on additional current reserves if needed. The Danish box's ability to keep speakers under control with an iron grip was further demonstrated by its performance.
The findings of all the other measurements confirmed that this item was created by someone who has long since allowed his craft to evolve into a form of art.
The wide display shows the currently selected input and volume and is easily accessible from a distance, especially for an elderly gentleman or lady.
Of course, no potentiometer is used to operate it, but rather an electrical solution that is immune to noise, hum, distortion, and channel imbalances, as explained by the head of development. The display can be dimmed in stages and even turned off completely if needed.
The volume control knob fits nicely in your hand, and its mirror-smooth surface, in our opinion, is a successful contrast to the Aavik's otherwise simple aesthetic.
When it comes to selecting the correct amplifier, the Gauder DARC 100 is not particularly low-maintenance. However, the ease with which the "tiny" Aavik drove the German speakers to peak performance got us thinking about separate pre-/power amp combos. It wasn't just the Aavik's overwhelming strength that made our jaws drop open in awe.
To experience the I-180 in full bloom – as mentioned above – and allow it to demonstrate all of its advantages, we recommend using it in conjunction with external cables and then in full Danish regalia, i.e. with Aavik devices and Ansuz accessories.
Rarely before have we been able to see the variations that can emerge when a developer is able to actualize his vision of music reproduction down to the tiniest aspect of a configuration.
You may now oppose on the basis that this necessitates a sizable additional budget. That will not be questioned, but the fact that what you get even then goes well beyond what is typical in this price range should be noted.
It's a fantastic amp on its own, but when combined with the rest of the team, it can compete with much more expensive competitors. As a result, if you have the opportunity, we recommend listening to the complete ensemble.
