How did Spielberg make a movie with only 500 dollars?

Steven Spielberg is considered by many to be the most commercially successful filmmaker in history, responsible for several iconic franchises such as Jurassic Park and Indiana Jones. Although it often takes several attempts before a talented director can make profitable films, Spielberg's case was completely different.

Spielberg was interested in cinema as a child and he even directed his first home movie at the age of 12. The actors in this movie were his toys. He made several amateur films using his father's camera and he also documented his scouting trips. Spielberg also drew attention to his talent by winning a national competition when he was 13.

As he said, he made about 15-20 adventure films during his school years after being inspired by an eclectic mix of sources. From Akira Kurosawa's masterpieces to Lawrence of Arabia, Spielberg absorbed everything, and those films shaped his cinematic sensibility and helped him develop his vision.

One of the most significant productions from Spielberg's school years was a sci-fi adventure film called Firelight. This movie was published in 1964. The early work demonstrated Spielberg's fascination with the genres he would master later in his career. The film revolved around a group of scientists investigating extraterrestrial phenomena.

Recalling the impact of Firelight on his career, Spielberg revealed the details:

' The biggest production of my youth was Firelight, a two-and-a-half-hour sci-fi film. It had tons of effects. The spaceship effect wasn't meant to be a physical flying saucer, just a fiery blob in the sky.'

The film lasted 135 minutes and was shot on a budget of $500. Interestingly, Firelight was technically a commercial success because five hundred people bought a $1 ticket to the premiere, but one person paid $2, pushing the total to $501. Spielberg used the Firelight theme to film his hit movie Close Encounters of the Third Kind.

' I shot the background of the roofs and orange trees, then rewinded the film and I made a passage of oil in real time, squeezed between thick, transparent plastic,' Spielberg commented on his approach to low-budget special effects.

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Post By: Vanessa F